List of reviews, alphabetical

#

25th Hour (Spike Lee, 2002): 9/10
The 400 Blows (François Truffaut, 1959): 8.5/10
49th Parallel (Michael Powell, 1941): 7.5/10

A

Ace in the Hole (Billy Wilder, 1951): 9/10
Act of Violence (Fred Zinnemann, 1948): 7.5/10
Affliction (Paul Schrader, 1997): 8/10
Alphaville (Jean-Luc Godard, 1965): 7.5/10
The Apartment (Billy Wilder, 1960): 9.5/10
Argo (Ben Affleck, 2012): 8/10
The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik, 2007): 8.5/10
Atlantic City (Louis Malle, 1980): 8.5/10
Atonement (Joe Wright, 2007): 8/10

B

The Bad and the Beautiful (Vincente Minnelli, 1952): 7.5/10
Bad Lieutenant (Abel Ferrara, 1992): 8.5/10
Bad Lieutenant: Port of Call – New Orleans (Werner Herzog, 2009): 9/10
Ballad of a Soldier (Grigori Chukhrai, 1959): 7.5/10
Band of Outsiders (Jean-Luc Godard, 1964): 8.5/10
Baraka (Ron Fricke, 1992): 9/10
The Baron of Arizona (Samuel Fuller, 1950): 7.5/10
Battlefield Earth (Roger Christian, 2000): 0.5/10
Beasts of the Southern Wild (Benh Zeitlin, 2012): 8/10
Before Sunset (Richard Linklater, 2004): 7.5/10
Beyond the Valley of the Dolls (Russ Meyer, 1970): 8.5/10
Bicycle Thieves (Vittorio De Sica, 1948): 10/10
The Big Heat (Fritz Lang, 1953): 8/10
Bitter Victory (Nicholas Ray, 1957): 8/10
Blood Simple (Joel Coen, 1984): 9.5/10
Blowup (Michelangelo Antonioni, 1966): 7/10
Bonnie and Clyde (Arthur Penn, 1967): 10/10
Brand Upon the Brain! (Guy Maddin, 2006): 9/10
Brave (Mark Andrews & Brenda Chapman, 2012): 7.5/10
Breathless (Jean-Luc Godard, 1960): 7.5/10
Bride of Frankenstein (James Whale, 1935): 9/10
The Bride Wore Black (Francois Truffaut, 1968): 8.5/10
Bringing Out the Dead (Martin Scorsese, 1999): 9/10
Broken Blossoms (D.W. Griffith, 1919): 8.5/10

C

Caché (Michael Haneke, 2005): 8.5/10
Che: Part One (Steven Soderbergh, 2008): 9/10
Che: Part Two (Steven Soderbergh, 2008): 9.5/10

Clean, Shaven (Lodge Kerrigan, 1993): 8.5/10
Cloverfield (Matt Reeves, 2008): 8/10
The Color of Money (Martin Scorsese, 1986): 7/10
Come and See (Elem Klimov, 1985): 9.5/10
Convict 13 (Edward F. Cline & Buster Keaton, 1920): 8.5/10
Cool Hand Luke (Stuart Rosenberg, 1967): 9/10
Cries and Whispers (Ingmar Bergman, 1972): 7.5/10
Cronos (Guillermo del Toro, 1993): 8/10
The Curious Case of Benjamin Button (David Fincher, 2008): 7/10

D

The Dark Knight (Christopher Nolan, 2008): 9/10
Days of Heaven (Terrence Malick, 1978): 10/10
The Dead (John Huston, 1987): 8.5/10
Dead Ringers (David Cronenberg, 1988): 7/10
The Dead Zone (David Cronenberg, 1983): 7.5/10
Death and the Maiden (Roman Polanski, 1994): 7.5/10
Decision at Sundown (Budd Boetticher, 1957): 9/10
The Desperate Hours (William Wyler, 1955): 6/10
Detour (Edgar G. Ulmer, 1945): 6.5/10
The Devil’s Backbone (Guillermo del Toro, 2001): 7.5/10
Les Diaboliques (Henri-Georges Clouzot, 1955): 9/10
Diamonds of the Night (Jan Nemec, 1964): 9/10
Dirty Harry (Don Siegel, 1971): 7/10
The Discreet Charm of the Bourgeoisie (Luis Buñuel, 1972): 8.5/10
Diva (Jean-Jacques Beineix, 1981): 8.5/10
Django Unchained (Quentin Tarantino, 2012): 9/10
Don’t Look Now (Nicolas Roeg, 1973): 9/10
Dogville (Lars von Trier, 2003): 6.5/10
The Double Life of Veronique (Krzysztof Kieslowski, 1991): 9/10
Doubt (John Patrick Shanley, 2008): 7.5/10
Dr. Jekyll and Mr. Hyde (Rouben Mamoulian, 1931): 9/10
Dr. Jekyll and Mr. Hyde (John S. Robertson, 1920): 6/10
Drunken Angel (Akira Kurosawa, 1948): 8/10
Dracula (Tod Browning, 1931): 6.5/10

E

Easy Rider (Dennis Hopper, 1969): 7/10
The Element of Crime (Lars von Trier, 1984): 8/10
Enter the Void (Gaspar Noé, 2009): 9/10
Escape from L.A. (John Carpenter, 1996): 7/10
Even Dwarfs Started Small (1970): 5.5/10
The Evil Dead (Sam Raimi, 1981): 7.5/10
The Exterminating Angel (Luis Buñuel, 1962): 9/10
Eyes Without a Face (Georges Franju, 1960): 7.5/10

F

The Fallen Idol (Carol Reed, 1948): 8.5/10
The Fall of the House of Usher (Jean Epstein, 1928): 8/10
Fat City (John Huston, 1972): 8/10
Flags of Our Fathers (Clint Eastwood, 2006): 7.5/10
Fort Apache (John Ford, 1948): 6.5/10
Freaks (Tod Browning, 1932): 7.5/10
From Russia with Love (Terence Young, 1963): 8.5/10

G

The Garage (Roscoe ‘Fatty’ Arbuckle, 1920): 7.5/10
Gates of Heaven (Errol Morris, 1978): 8.5/10
George Washington (David Gordon Green, 2000): 9/10
Gimme Shelter (Albert Maysles, David Maysles, Charlotte Zwerin, 1970): 6.5/10
Glengarry Glen Ross (James Foley, 1992): 9/10
The Golden Age (Luis Buñuel, 1930): 5/10
Gran Torino (Clint Eastwood, 2008): 8.5/10
The Grapes of Wrath (John Ford, 1940): 9/10
The Great Dictator (Charlie Chaplin, 1940): 8/10
Grizzly Man (Werner Herzog, 2005): 9.5/10

H

Halloween (Rob Zombie, 2007): 4/10
Halloween II (Rob Zombie, 2009): 9/10
Hamlet (Laurence Olivier, 1948): 9/10
Hangmen Also Die! (Fritz Lang, 1943): 6/10
The Happening (M. Night Shyamalan, 2008): 6.5/10
A Hard Day’s Night (Richard Lester, 1964): 10/10
The Heart of the World (Guy Maddin, 2000): 8.5/10
The Heiress (William Wyler, 1949): 8.5/10
Henry: Portrait of a Serial Killer (John McNaughton, 1986): 7/10
High Noon (Fred Zinnemann, 1952): 8.5/10
High Sierra (Raoul Walsh, 1941): 7.5/10
The Host (Joon-ho Bong, 2006): 8/10
How Green Was My Valley (John Ford, 1941): 8.5/10
The Hudsucker Proxy (Joel Coen, 1994): 6.5/10
The Hurricane (John Ford, 1937): 6.5/10
The Hurt Locker (Kathryn Bigelow, 2008): 9/10
The Hustler (Robert Rossen,1961): 8/10

I

I Confess (Alfred Hitchcock, 1953): 7/10
In a Lonely Place (Nicholas Ray, 1950): 9/10
In Bruges (Martin McDonagh, 2008): 9/10
Indiana Jones and the Kingdom of the Crystal Skull (Steven Spielberg, 2008): 8/10
inland empire (David Lynch, 2006): 4.5/10
In the Mood for Love (Kar Wai Wong, 2000): 7.5/10
Invasion of the Body Snatchers (Don Siegel, 1956): 5.5/10
Invasion of the Body Snatchers (Philip Kaufman, 1978): 8.5/10
Iron Man (Jon Favreau, 2008): 8/10
It’s a Wonderful Life (Frank Capra, 1946): 9/10

J

Jean de Florette (Claude Berri, 1986): 8/10
JFK (Oliver Stone, 1991): 9/10

Johnny Guitar (Nicholas Ray, 1954): 9.5/10

K

Kagemusha (Akira Kurosawa, 1980): 8.5/10
Key Largo (John Huston, 1948): 7.5/10
The Kid (Charlie Chaplin, 1921): 9.5/10
The Killing (Stanley Kubrick, 1956): 9/10
Knife in the Water (Roman Polanski, 1962): 9.5/10

L

The Lady from Shanghai (Orson Welles, 1947): 7.5/10
La ronde (Max Ophüls, 1950): 7.5/10
Last House on the Left (Wes Craven, 1972): 6.5/10
The Last Laugh (F.W. Murnau, 1924): 8.5/10
The Last Temptation of Christ (Martin Scorsese, 1988): 9.5/10
Last Year at Marienbad (Alain Resnais, 1961): 7/10
A Late Quartet (Yaron Zilberman, 2012): 9/10
L’Avventura (Michelangelo Antonioni, 1960): 7/10
Le Samourai (Jean-Pierre Melville, 1967): 10/10
Letter from an Unknown Woman (Max Ophüls, 1948): 8/10
Letters from Iwo Jima (Clint Eastwood, 2006): 9/10
Let the Right One In (Tomas Alfredson, 2008): 9/10
Lifeboat (Alfred Hitchcock, 1944): 8.5/10
The Life of Oharu (Kenji Mizoguchi, 1952): 7.5/10
Limelight (Charlie Chaplin, 1952): 7.5/10
The Limey (Steven Soderbergh, 1999): 7.5/10
Lincoln (Steven Spielberg, 2012): 8/10
Lone Star (John Sayles, 1996): 8.5/10
The Lost Patrol (John Ford, 1934): 8/10
The Long Voyage Home (John Ford, 1940): 7.5/10
The Lower Depths (Akira Kurosawa, 1957): 8.5/10

M

Macbeth (Roman Polanski, 1971): 6.5/10
Made in U.S.A. (Jean-Luc Godard, 1966): 5.5/10
Make Way for Tomorrow (Leo McCarey, 1937): 8.5/10
Manon of the Spring (Claude Berri, 1986): 8.5/10
Man’s Castle (Frank Borzage, 1933): 8/10

The Man Who Shot Liberty Valance (John Ford, 1962): 8.5/10
The Man Who Laughs (Paul Leni, 1928): 8.5/10
Marnie (Alfred Hitchcock, 1964): 5.5/10
Masculin féminin (Jean-Luc Godard, 1966): 7/10
McCabe & Mrs. Miller (Robert Altman, 1971): 9/10
Milk (Gus Van Sant, 2008): 9/10
Miller’s Crossing (Joel Coen, 1990): 6.5/10
Modern Romance (Albert Brooks, 1981): 7.5/10
Modern Times (Charlie Chaplin, 1936): 9/10
Mon oncle (Jacque Tati, 1958): 6/10
Mouchette (Robert Bresson, 1967): 7/10
Murder by Contract (Irving Lerner, 1958): 7.5/10
My Winnipeg (Guy Maddin, 2007): 10/10

N

The Naked City (Jules Dassin, 1948): 6.5/10
Neighbors (Edward F. Cline & Buster Keaton, 1920): 7.5/10
A Night at the Opera (Sam Wood, 1935): 7/10
The Night of the Iguana (John Huston, 1964): 7.5/10
Nixon (Oliver Stone, 1995): 7/10
No Country for Old Men (Joel & Ethan Coen, 2007): 10/10
Nosferatu, eine Symphonie des Grauens (F.W. Murnau, 1922): 9/10
Nosferatu: Phantom der Nacht (Werner Herzog, 1979): 8.5/10

O

Los olvidados (Luis Buñuel, 1950): 7.5/10
One Week (Edward F. Cline & Buster Keaton, 1920): 9.5/10
Ordet (Carl Theodor Dreyer, 1955): 8.5/10
The Ox-Bow Incident (William A. Wellman, 1943): 7.5/10

P

The Panic in Needle Park (Jerry Schatzberg, 1971): 8/10
The Paperboy (Lee Daniels, 2012): 8.5/10
Paranormal Activity (Oren Peli, 2007): 7.5/10
Passage to Marseille (Michael Curtiz, 1944): 6.5/10
Paths of Glory (Stanley Kubrick, 1957): 10/10
Peeping Tom (Michael Powell, 1960): 9/10
The Phantom of the Opera (Rupert Julian, et al, 1925): 7.5/10
Pickpocket (Robert Bresson, 1959): 9/10
Picnic at Hanging Rock (Peter Weir, 1975): 7.5/10
Pierrot le fou (Jean-Luc Godard, 1965): 8/10
Pineapple Express (David Gordon Green, 2008): 8/10
Play Misty for Me (Clint Eastwood, 1971): 8/10
Point Blank (John Boorman, 1967): 8.5/10
Portrait of Jennie (William Dieterle, 1948): 8/10

Q

The Quiet Man (John Ford, 1952): 6/10

R

Rachel Getting Married (Jonathan Demme, 2008): 8.5/10
Raise the Red Lantern (Zhang Yimou, 1991): 10/10
Rebecca (Alfred Hitchcock, 1940): 9.5/10
Rebel Without a Cause (Nicholas Ray, 1955): 9.5/10
[Rec] Jaume Balagueró & Paco Plaza, 2007): 8/10
[REC]3 Génesis (Paco Plaza, 2012): 5.5/10
Red River (Howard Hawks, 1948): 9/10
Reds (Warren Beatty, 1981): 8/10
The Red Shoes (Michael Powell & Emeric Pressburger, 1948): 10/10
Reflections in a Golden Eye (John Huston, 1967): 6/10
Repo Man (Alex Cox, 1984): 8/10
Repulsion (Roman Polanski, 1965): 8.5/10
Requiem (Hans-Christian Schmid, 2006): 9/10
Rio Grande (John Ford, 1950): 7.5/10
Ripley’s Game (Liliana Cavani, 2002): 8.5/10
RoboCop (Paul Verhoeven, 1987): 8.5/10
Roman Polanski: Wanted and Desired (Marina Zenovich, 2008): 8/10
The Room (Tommy Wiseau, 2003): 10/10
Rosemary’s Baby (Roman Polanski, 1968): 8.5/10
Russian Ark (Aleksandr Sokurov, 2002): 7.5/10

S

Safety Last! (Fred C. Newmeyer & Sam Taylor, 1923): 9/10
Salaam Bombay! (Mira Nair, 1988): 9/10
Samurai Rebellion (Masaki Kobayashi, 1967): 8/10
Sansho the Bailiff (Kenji Mizoguchi, 1954): 8.5/10
Santa sangre (Alejandro Jodorowsky, 1989): 9/10
The Saphead (Herbert Blaché & Winchell Smith, 1920): 6.5/10
The Scarecrow (Edward F. Cline & Buster Keaton, 1920): 9/10
Scarface (Howard Hawks, 1932): 8/10
Scarface (Brian De Palma, 1983): 8.5/10
Scarlet Street (Fritz Lang, 1945): 8/10
Schizopolis (Steven Soderbergh, 1996): 7.5/10
Secret Honor (Robert Altman, 1984): 9/10
Sergeant Rutledge (John Ford, 1960): 8.5/10
The Seventh Veil (Compton Bennett, 1945): 7/10
The Seventh Victim (Mark Robson, 1943): 7/10
The Set-Up (Robert Wise, 1949): 9/10
Shadow of the Vampire (E. Elias Merhige, 2000): 7.5/10
She Wore a Yellow Ribbon (John Ford, 1949): 6/10
Side Effects (Steven Soderbergh, 2013): 8/10
The Silence (Ingmar Bergman, 1963): 8.5/10
Slumdog Millionaire (Danny Boyle & Loveleen Tandan, 2008): 7/10
Solaris (Steven Soderbergh, 2002): 7.5/10
The Spirit of the Beehive (Victor Erice, 1973): 7/10
Stagecoach (John Ford, 1939): 8.5/10
Star Trek (J.J. Abrams, 2009: 8/10
Strangers on a Train (Alfred Hitchcock, 1951): 10/10
Straw Dogs (Sam Peckinpah, 1971): 8.5/10
Stray Dog (Akira Kurosawa, 1949): 6/10
Street of Shame (Kenji Mizoguchi, 1956): 8/10
Sunrise: A Song of Two Humans (F.W. Murnau, 1927): 10/10
Sweet Smell of Success (Alexander Mackendrick, 1957): 6/10

T

Tabu (F.W. Murnau, 1931): 6.5/10
Theatre of Blood (Douglas Hickox, 1973): 8/10
There Will Be Blood (Paul Thomas Anderson, 2007): 9/10
They Live by Night (Nicholas Ray, 1948): 8.5/10
The Thief of Bagdad (Ludwig Berger, Michael Powell, Tim Whelan, et al, 1940): 7.5/10
The Thin Man (W.S. Van Dyke, 1934): 9.5/10
The Thin Red Line (Terrence Malick, 1998): 8.5/10
Three Colors: White (Krzysztof Kieslowski, 1994): 8/10
Titicut Follies (Frederick Wiseman, 1967): 9/10
Tobacco Road (John Ford, 1941): 4.5/10
Tokyo Story (Yasujiro Ozu, 1953): 8.5/10
Tombstone (George P. Cosmatos, 1993): 7/10
Tootsie (Sydney Pollack, 1982): 9/10
Towelhead (Alan Ball, 2007): 4.5/10
The Treasure of the Sierra Madre (John Huston, 1948): 9.5/10
The Trial (Orson Welles, 1962): 8/10
Trouble in Paradise (Ernst Lubitsch, 1932): 7.5/10
Two-Lane Blacktop (Monte Hellman, 1971): 8.5/10

U

Umberto D. (Vittorio De Sica, 1952): 9.5/10
Un chien andalou (Luis Buñuel, 1929): 9/10
Under the Volcano (John Huston, 1984): 8/10
Underworld U.S.A. (Samuel Fuller, 1961): 8.5/10
Up! (Russ Meyer, 1976): 6.5/10

V

Vampyr (Carl Theodor Dreyer, 1932): 3.5/10
The Vanishing (George Sluizer, 1988): 8.5/10
Vengeance is Mine (Shohei Imamura, 1979): 9.5/10
The Verdict (Sidney Lumet, 1982): 9/10
The Virgin Spring (Ingmar Bergman, 1960): 9/10

W

Wait Until Dark (Terence Young, 1967): 7.5/10
Walkabout (Nicolas Roeg, 1971): 8.5/10
WALL-E (Andrew Stanton, 2008): 10/10

Watchmen (Zack Snyder, 2009): 7/10
Week End (Jean-Luc Godard, 1967): 2.5/10
The White Ribbon (Michael Haneke, 2009): 8.5/10
The Whole Town’s Talking (John Ford, 1935): 7.5/10
The Wicker Man (Neil LaBute, 2006): 1/10
Wild Strawberries (Ingmar Bergman, 1957): 6.5/10
Winchester ’73 (Anthony Mann, 1950): 8/10
Winter’s Bone (Debra Granik, 2010): 8/10
Witness for the Prosecution (Billy Wilder, 1957): 8/10
The Woman in the Window (Fritz Lang, 1944): 7.5/10
A Woman Under the Influence (John Cassavetes, 1974): 9.5/10
The Wrestler (Darren Aronofsky, 2008): 9.5/10

X

The X-Files: I Want to Believe (Chris Carter, 2008): 6.5/10

Y

Young Mr. Lincoln (John Ford, 1939): 9.5/10

Z

Zero Dark Thirty (Kathryn Bigelow, 2012): 7/10
Zodiac (David Fincher, 2007): 9/10

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